Printed on both sides. Oblong card. New York: Sonnabend Gallery, [1976].

Invitation card for Acconci’s 1976 solo show at Sonnabend in New York. Fine. More

Color illus. to recto, details on verso. Pictorial postcard. Los Angeles: Claire S. Copley Gallery, 1975.

The rare postcard invitation for Ader’s final exhibition. The artist set off from Cape Cod for his fateful cross-Atlantic voyage on 9 July 1975. In excellent condition.

|| Brigitte Kölle, ed., Bas Jan Ader: I’m searching … (2025), pp. 168-69 & 175. More

Printed on both sides. Large card. Antwerp: Wide White Space, 1971.

Announcement card for Andre’s third solo exhibition with Wide White Space. The artist’s handwriting, describing the sculpture, is reproduced on the reverse.

“[Weathering Piece], which by its very definition was meant to be exposed to the elements, was exhibited on the floor of a covered terrace on the first floor of a gallery.”–Wide White Space: Behind the Museum.

In fine condition.

❧ Y. Pettitallot, ed., Wide White Space: Behind the Museum, 1966-1976 (1995) Exhibitions no. 44 (pictured). More

Printed on one side. Square card, mailed. Los Angeles: ACE, [1976].

Invitation card for Andre’s 1976 exhibition with ACE gallery in Los Angeles. Near fine; minor creasing. Mailed to Stedelijk Museum curator Frits Keers (1936-2000). More

Printed on both sides. Square card, mailed. Paris: Yvon Lambert, 1971.

Invitation card to Andre’s solo debut with Yvon Lambert’s gallery. The artist’s work is represented on the recto with four squares representing aluminum, magnesium (2x), and zinc. In excellent condition. Mailed to Frits Keers (1936-2000), senior curator at the Stedelijk Museum.

❧ Sophie Richard, Unconcealed: The International Network of Conceptual Artists 1967-77, Dealers, Exhibitions and Public Collections (2010), p. 371. More

Printed on one side. Card. Düsseldorf: Konrad Fischer, 1972.

Invitation to Andre’s fourth show at Fischer’s gallery. Fine.

❧ D. Fischer, ed., Ausstellungen bei Konrad Fischer: Düsseldorf Oktober 1967-Oktober 1992 (Edition Marzona: 1993) 66. More

Black & white photographic illus. on recto, details to verso. Pictorial postcard, mailed. Paris: Yvon Lambert, 1976.

Mailed example of the postcard invitation to Andre’s 1976 solo exhibition at Yvon Lambert's gallery. The recto bears an installation photograph of the artist's sculptures. In excellent condition. Hand-addressed to Stedelijk Museum curator Frits Keers (1936-2000).

❧ Sophie Richard, Unconcealed: The International Network of Conceptual Artists 1967-77, Dealers, Exhibitions and Public Collections (2010), p. 372. More

Printed on both sides. Postcard, mailed. Antwerp: Wide White Space, 1969.

Postcard invitation to Andre’s second solo presentation with Wide White Space, the Antwerp gallery run by Anny de Decker (b. 1937) and Bernd Lohaus (1940-2010).

“The works consisted of rolled-up strips of metal which could be unrolled to lengths corresponding to the dimensions of the room.”–Wide White Space: Behind the Museum.

In fine condition. Mailed to Frits Keers (1936-2000), senior curator at the Stedelijk Museum.

❧ Y. Pettitallot, ed., Wide White Space: Behind the Museum, 1966-1976 (1995), Exhibitions no. 31 (pictured). More

Printed on one side. Card. Torino: Gian Enzo Sperone, 1975.

Invitation card to the first of three solo exhibitions with Sperone that Anselmo had in 1975. In fine condition.

❧ A. Minola, M.C. Mundici, F. Poli, M.T. Roberto, eds., Gian Enzo Sperone: Torino, Roma, New York: 35 Anni di Mostre tra Europa e America (2000), Vol. II, pp. 245 (installation photographs) & 493. More

Printed on one side. Fine paper card. Rome: Gian Enzo Sperone, 1975.

Invitation card to the third and final solo Anselmo (b. 1934) exhibition held by Sperone, in Rome. In fine condition.

❧ A. Minola, M.C. Mundici, F. Poli, M.T. Roberto, eds., Gian Enzo Sperone: Torino, Roma, New York: 35 Anni di Mostre tra Europa e America (2000), Vol. II, p. 493. More

Thick paper poster (495 x 480 mm.), silk-screened text in black, black & white offset-printed illus. pasted to center. Bremerhaven: Kabinett für aktuelle Kunst Bremerhaven, 1975.

Poster made by gallerist and art collector Jürgen Wesseler (1938-2023) for Anselmo’s first show in Bremerhaven. A sheet of paper with three photographs of the artist’s series Particolare is affixed to the center of the poster between the silk-screened text.

Near fine; three small and closed 6-10 mm. tears to the left edge.

❧ E. Kleimann, ed., 50 Jahre Avantgarde: Das Kabinett für aktuelle Kunst Bremerhaven (2018), p. 38 (no. 57). More

Large card. Illus. on recto, text on verso. Düsseldorf: Galerie Schmela, 1965.

Card announcing Arakawa’s third show with Galerie Schmela. Fine. More