Text on recto, details on verso. Postcard, mailed. Düsseldorf: Konrad Fischer, 1981.
Mailed exhibition postcard for a Lawrence Weiner exhibition with Konrad Fischer. Near fine. This copy was sent to Heidi & Dieter Witte (with address updated by hand).
❧ Ausstellungen bei Konrad Fischer: Düsseldorf Oktober 1967-Oktober 1992 (Edition Marzona: 1993) 186 (p. 198). More
Illus. on recto, details on verso. Pictorial postcard. Düsseldorf: Galerie Konrad Fischer, 1997.
Postcard invitation for Weiner’s 1997 solo presentation with Konrad Fischer. In fine condition.
❧ Ausstellungen bei Konrad Fischer/Konrad Fischer Galerie, Düsseldorf November 1992-Oktober 2007 (Navado Press: 2017) 353. More
Printed on one side. Postcard, mailed. Antwerp: Wide White Space, 1973.
Postcard invitation to Weiner’s third solo exhibition with Anny de Decker and Bernd Lohaus’s Wide White Space gallery. In fine condition. Mailed to Frits Keers (1936-2000), senior curator at the Stedelijk Museum.
❧ Y. Pettitallot, ed., Wide White Space: Behind the Museum, 1966-1976 (1995), Exhibitions no. 71 (pictured). More
Pink paper poster (494 x 483 mm.), silkscreened in red. Bremerhaven: 1978.
The rare poster made by gallerist Jürgen Wesseler (1938-2023) for the publication of Lawrence Weiner’s artist’s book With a Touch of Pink (1978). A pristine copy.
❧ E. Kleimann, ed., 50 Jahre Avantgarde: Das Kabinett für aktuelle Kunst Bremerhaven (2018), p. 32 (no. 39). More
[4] pp. Single folded A3 sheet. Amsterdam: Art & Project, 1969.
Lawrence Weiner’s first Art & Project bulletin, a mailed copy in near fine condition. The artist’s text-based works are presented in English, German, and French.
“The artists most at home with creating pageworks for the format of the Bulletin are Lawrence Weiner and Richard Long, the one primarily with words, the other primarily with photographs. In most cases Weiner’s Bulletins activated the centrefolds with paired (occasionally tripled) phrases…[They] are simply but effectively conceived for the openings of the Bulletin; they also appeared in tandem and harmony with his artist... More
Diagrams printed in green throughout. [4] pp. Single folded A2 sheet. Amsterdam: Art & Project, 1979.
Lawrence Weiner’s fifth Art & Project bulletin.
“The artists most at home with creating pageworks for the format of the Bulletin are Lawrence Weiner and Richard Long, the one primarily with words, the other primarily with photographs. In most cases Weiner’s Bulletins activated the centrefolds with paired (occasionally tripled) phrases…[They] are simply but effectively conceived for the openings of the Bulletin; they also appeared in tandem and harmony with his artist books of the same time – some published by Art & Project –... More
[4] pp. Single folded A3 sheet. Amsterdam: Art & Project, 1972.
Lawrence Weiner's second Art & Project bulletin, a fine mailed copy. The artist’s work is presented in English and Dutch.
“The artists most at home with creating pageworks for the format of the Bulletin are Lawrence Weiner and Richard Long, the one primarily with words, the other primarily with photographs. In most cases Weiner’s Bulletins activated the centrefolds with paired (occasionally tripled) phrases…[They] are simply but effectively conceived for the openings of the Bulletin; they also appeared in tandem and harmony with his artist books of the same time... More
[4] pp. Single folded A3 sheet. Amsterdam: Art & Project, 1972.
Lawrence Weiner’s third Art & Project bulletin, an excellent mailed example. The artist’s work is presented in English and Dutch.
“The artists most at home with creating pageworks for the format of the Bulletin are Lawrence Weiner and Richard Long, the one primarily with words, the other primarily with photographs. In most cases Weiner’s Bulletins activated the centrefolds with paired (occasionally tripled) phrases…[They] are simply but effectively conceived for the openings of the Bulletin; they also appeared in tandem and harmony with his artist books of the same time... More
[4] pp. Single folded A3 sheet. Amsterdam: Art & Project, 1973.
Lawrence Weiner’s fourth Art & Project bulletin. The artist’s work is presented in Dutch and English.
“The artists most at home with creating pageworks for the format of the Bulletin are Lawrence Weiner and Richard Long, the one primarily with words, the other primarily with photographs. In most cases Weiner’s Bulletins activated the centrefolds with paired (occasionally tripled) phrases…[They] are simply but effectively conceived for the openings of the Bulletin; they also appeared in tandem and harmony with his artist books of the same time – some published by... More