Two cards, folded as issued. N.p.: Self-published, [1970].

The two folded cards comprising Brouwn’s announcement of an exhibition at Utrecht’s De Kargadoor cultural center. On the inner card Brouwn asks: “Which streets in Utrecht lead in the direction of Atlantis?”

In excellent condition.

❧ Harry Ruhé, ed., stanley brouwn: a chronology (2nd ed.: 2005). More

Printed on one side. Card with orig. mailing envelope. Berlin: Konrad Fischer Galerie, 2018.

Announcement card for the 2018 Stanley Brouwn (1935-2017) exhibition at Konrad Fischer Galerie’s Berlin space. In excellent condition. More

Printed on one side. Card. Düsseldorf: Konrad Fischer, 1989.

Card announcing Brouwn’s 1989 presentation with Konrad Fischer. Fine.

❧ D. Fischer, ed., Ausstellungen bei Konrad Fischer: Düsseldorf Oktober 1967-Oktober 1992 (Edition Marzona: 1993) 272. More

Printed on both sides. Card. Nice: Villa Arson, 1995.

Invitation to the opening of brouwn’s 1995 solo exhibition at Villa Arson in Nice. In excellent condition.

❧ H. Ruhé, ed., stanley brouwn: a chronology (2nd ed.: 2005). More

Printed on one side. Card. London: Whitechapel Art Gallery, 1977.

Announcement card for Brouwn’s show at Whitechapel. Ruhé suggests that it was held at the same time as one for Richard Long. An untitled catalogue/artist’s book was published by Whitechapel for Brouwn’s exhibition.

Near fine; several pin-holes.

❧ Harry Ruhé, ed., stanley brouwn: a chronology (2nd ed.: 2005). More

Printed on one side. Card. Utrecht: Utrechtse Kring, 1972.

Invitation card produced by the Utrechtse Kring gallery for Brouwn’s 1972 show with the gallery. Ruhé writes about this exhibition: “On the occasion of the exhibition, the book 1 step – 100000 steps is published. The text is produced on a computer of the Mathematisch Centrum in Amsterdam. During the exhibition, the first 42 pages of the computer text are displayed on six narrow tables joined together. In addition there is an explanatory text by Brouwn. Previous publications by Brouwn are displayed on a separate table.”

In excellent condition.

❧ Harry... More

Printed on one side. Oversize card. Reykjavik: Second Floor, 1994.

Exhibition card for Brouwn’s 1994 show in Reykjavik, at Icelandic collector Pétur Arason’s Second Floor gallery. In fine condition.

❧ Harry Ruhé, ed., stanley brouwn (2nd ed.: 2005). More

Printed on both sides. Postcard. Düsseldorf: Konrad Fischer, 1970.

Postcard invitation to Stanley Brouwn’s debut show at Konrad Fischer’s gallery.

“Stanley Brouwn’s first of five solo exhibitions at Fischer’s gallery, it opened in December 1970. The artist presented works documenting the number of steps he had taken while wearing a pedometer on his walks through several neighborhoods of Düsseldorf prior to the exhibition. The aspect of movement and the site-specific reference, which were key features in the exhibitions at Konrad Fischer’s gallery at the time, were also central here.”–Cloud & Crystal: The Dorothee and Konrad Fischer Collection (2016 exhib. booklet)... More

Printed on one side. Postcard, mailed. Amsterdam: Art & Project, 1985.

Postcard invitation for Brouwn’s 1985 show at Geert van Beijeren and Adriaan van Ravesteijn’s Art & Project gallery. In fine condition. Mailed to critic Lily van Ginneken.

❧ Art & Project. A History (2023) E262. More

Printed on one side only. Postcard. Eindhoven: Van Abbemuseum, 1976.

Postcard produced on the occasion of stanley brouwn’s solo Van Abbemuseum exhibition in 1976. Fine.

❧ Harry Ruhé, ed., stanley brouwn: a chronology (2nd ed.: 2005). More

Artist’s name printed on recto, details on verso. Postcard. Eindhoven: Van Abbemuseum, 1981.

Postcard made for Brouwn’s 1981 solo exhibition at the Van Abbemuseum. Fine.

❧ Harry Ruhé, ed., stanley brouwn: a chronology (2nd ed.: 2005). More

Printed on both sides. Postcard. London: Jack Wendler Gallery, 1972.

Postcard invitation to brouwn’s only exhibition at Wendler’s gallery. “After the summer break the programme began with an exhibition of file boxes by Brouwn, who set a new typographic design for the invitation card, subsequently adopted as the gallery’s consistent identity.”–Dematerialised: Jack Wendler Gallery, 1971-1974, p. [8].

A very rare card, in fine condition.

❧ Teresa Gleadowe, curator, Dematerialised: Jack Wendler Gallery, 1971-1974 (CHELSEAspace: 2009), p. [10].

Harry Ruhé, ed., stanley brouwn: a chronology (2nd ed.: 2005)–lacking the dates. More