Several illus. [46], 133 pp. 8vo, blue printed softcover, perfect-bound. Brooklyn, NY: Ugly Duckling Presse, 2020.

Handsomely printed re-publication of Ulises Carrión’s 1972 classic Sonnet(s). Fully reprinted here, in the 1972 bookwork Carrión devised 44 variations on Dante Gabriel Rossetti’s sonnet “Heart’s Compass.” With insightful essays and contributions by Veronica Gerber Bicecci, Annette Gilbert, Monica de la Torre, Michalis Pichler, Heriberto Yepez, India Johnson, and Felipe Becerra.

As new. Published through In-Out Productions in an edition of 200 copies, the first edition of Sonnet(s) is now very rare. More

Lithographed frontis. by Rot on inside of upper wrapper & many black & white text illus. 49 unnumbered pages (incl. inside of lower wrapper). 4to (229 x 170 mm.), orig. yellow printed wrappers, staple-bound. Stuttgart, London & Reykjavik: 1973.

A rare and early catalogue of artists’ books issued by Mayer, featuring a lithograph signed and numbered by Dieter Roth. We have identified three states of the lithograph, each printed in an edition of 850. This catalogue offers the work of Roth, Richard Hamilton, Tom Phillips, Stefan Wewerka, Mark Boyle, Emmett Williams, Eduardo Paolozzi, Dorothy Iannone, etc. Almost all entries are accompanied by photographs.

“A printer, art teacher and publisher living in London, Hansjörg Mayer’s typographical experiments and publications in his edition hansjörg mayer made him into one of the most important protagonists of concrete poetry and the art of the 1960s…Since 1963, as Dieter Roth’s publisher, Mayer was prepared to find ways to convert every provocative artistic idea into the letterpress. Mayer moved to England in 1966, where he taught at the Bath Academy of Art and the Watford School of Art. In 1968 the Gemeentemuseum Den Haag (The Hague) dedicated the first large retrospective to the 25-year-old artist. Since then, Mayer has published more than 300 books, posters, films, records and videos in the edition hansjörg mayer.”–from the Staatliche Museen zu Berlin’s exhibition website Hansjörg Mayer, Typoems and Artist Books (October 2019-January 2020). More

Black & white illus. throughout. 61 unnumbered pages (incl. inside of upper wrapper). 4to (231 x 170), orig. printed wrappers, staple-bound. [Stuttgart: 1968].

Mayer’s very scarce 1968 catalogue, which offers the work of Ian Hamilton Finlay, Dieter Roth, Bob Cobbing, Wolf Vostell, Emmett Williams, etc. It is profusely illustrated with facsimiles and photographs of the books listed, many full-page. It includes bookworks, poetry, prints, and multiples. Also represented are Mary Vieira, Andre Thomkins, and Peter Schmidt.

“A printer, art teacher and publisher living in London, Hansjörg Mayer’s typographical experiments and publications in his edition hansjörg mayer made him into one of the most important protagonists... More

Full-page black & white illus. on rectos. Unpaginated. Small 4to (230 x 172 mm.), orig. printed pictorial wrappers designed by D. Roth, staple-bound. Stuttgart & London: 1980.

An uncommon publisher’s catalogue presenting works by Dieter Roth, Dorothy Iannone, Claes Oldenburg, Andre Thomkins, Tom Phillips, Stefan Wewerka, etc. It also lists periodicals, records, videos, and Mayer’s previous catalogues. The full-page images on the recto of each page depict Roth with many of his publications and multiples. Facsimiles of Roth’s annotations in orange ink are found on the wrappers and the full-page illustrations

A fresh and fine copy; spine a trifle sunned. With the cover designed by Dieter Roth. More

Color illus. on all rectos. Unpaginated. Small 4to (231 x 172 mm.) orig. pictorial wrappers, staple-bound. Stuttgart & London: 1982.

An uncommon publisher’s catalogue, profusely illustrated with reproduced drawings by André Thomkins. It also offers publications and artworks by Mark Boyle, Richard Hamilton, Dorothy Iannone, Claes Oldenburg, Dieter Roth, Thomkins, Jan Voss, Stefan Wewerka, Emmett Williams, etc. Also offered are videos, prints, multiples, records, and Mayer’s previous catalogues. Most of the items are pictured. Beginning in 1966, Mayer issued a catalogue every year with his newest publications and a backlist.

Near fine copy. More

Color lithographs by Roth on upper and lower wrappers & many black & white illus. 40 unnumbered pages. 4to (230 x 170 mm.), orig. pictorial wrappers (lower wrapper signed by “Roth”), staple-bound. Stuttgart, London & Reykjavik: 1974.

A rare catalogue bearing two striking original color lithographs signed and numbered by Dieter Roth; it was produced in an edition of 1000 copies. This catalogue presents many works Roth created in collaboration with Mayer, in addition to works by Emmett Williams, Eduardo Paolozzi, Dorothy Iannone, Emil Schult, Richard Hamilton, Hansjörg Schneider, Tom Phillips, Stefan Wewerka, Mark Boyle, Arnulf Rainer, etc. Records, posters, and earlier catalogues are also offered. Nearly... More

Many black & white illus. throughout. 64 pp. 4to (230 x 171 mm.), orig. pictorial wrappers offset-printed & designed by R. Hamilton, staple-bound. Stuttgart, London & Reykjavik: 1976.

An uncommon publisher’s catalogue offering books by Dieter Roth, Emmett Williams, Arnulf Rainer, Marcel Duchamp, Tom Phillips, Dorothy Iannone, Claes Oldenburg, Barbara Rose, Jan Voss, etc. It also lists videos, prints, posters, multiples, and Mayer’s previous catalogues. Nearly every item is pictured. Beginning in 1966, Mayer issued a catalogue every year with his newest publications and a backlist.

In fine condition; from an edition of 1500 copies, with four color offset-printed wrappers designed by Richard Hamilton. With an... More

Many black & white illus. throughout. 64, 8 pp. bound-in after p. 32. 4to (230 x 171 mm.), orig. pictorial wrappers offset-printed & designed by A. Thomkins, staple-bound. Stuttgart & London: 1978.

An uncommon publisher’s catalogue offering books by Dieter Roth, Emmett Williams, Barbara Rose, Dorothy Iannone, Jan Voss, Claes Oldenburg, Richard Hamilton, Tom Phillips, Arnulf Rainer, etc. It also presents periodicals, posters, records, videos, and Mayer’s previous catalogues. Most items are pictured. In this catalogue, the latest publications are found on the yellow leaves found in the middle of the book. Beginning in 1966, Mayer issued a catalogue every year with his newest publications and a backlist. More

[20] folded leaves, printed letterpress. Large 4to (320 x 340 mm.), orig. bright orange dust-jacket pasted to semi-stiff covers, plastic spiral-bound. Stuttgart: Edition Hansjörg Mayer, 1967.

First edition of this scarce letterpress transcription of Harig’s original stereophonic soccer radio play. A devoted soccer fan, Harig (1927-2018) composed this play to capture the ups and downs of a frenetic soccer match. He was a close associate of Max Bense and other members of the Stuttgart school who experimented with Concrete poetry. Partnering with the publisher and typographical artist Hansjörg Mayer, the author transformed his groundbreaking radio play into a beautifully presented visual poem... More

Woodcut vignette on title, woodcut illus. in the text, & many exotic type fonts used. 12 p.l., 338 pp. 4to, late 18th-cent. half calf & marbled boards (some browning as is usual with this book), spine gilt, black morocco lettering piece on spine. Rome: Propaganda Fide, 1636.

First edition. This present work is “the first Coptic grammar to appear in the West, [it] was for centuries the basis for Coptic studies, along with Kircher’s later work Lingua aegyptiaca restituta (1643). Kircher had encountered hieroglyphs during his tertianship (a one-year period of religious study in preparation for the ministry) in Speier, and he was convinced... More

Many black & white illus. 112 unnumbered pages. 8vo (211 x 145 mm.), printed wrappers. Rochester: Visual Studies Workshop, 1986.

An uncommon collection of visual poems by the American book artist, Keith A. Smith (b. 1938); this is an early photo-digital book, created using Thunderscan. Printed offset in an edition of 500 copies on Mohawk Vellum 70 lb. There was also a leather-bound edition of 25 copies. The present example is signed by the artist on the title-page.

“In Overcast/Outcast Smith takes [it] a step farther. While [Book 115] is almost entirely graphic — a flat pattern on the page — Outcast develops dimensionality with its verbal materials. The... More