[Japan]: ca. 1898-1912.
Copper mining at Ashio in Tochigi Prefecture began about 1600 and production continued until 1973; in the late 19th century, it produced 39 percent of Japan’s copper output. At the end of that century, it was decided to build a railway connecting the mine to major rail lines to facilitate transportation of the outbound copper ore and inbound supplies (horses had carried or pulled everything before). The engineering problems were considerable: the line runs along the Watarase River through a deep valley subject to frequent flooding. The railway was finished in 1911-12.
The collection contains a series of letters containing reports on design and construction, printed documents regarding the stock company formed to finance the building of the railway (“Ashio Tetsudo Kabushikigaisha”), reports from engineers regarding preparations, further reports regarding expected capacity needs for the railroad line, six photographs of the construction, and a very fine and large (1820 x 760 mm.) manuscript diagram on four joined sheets of tissue paper showing the route through the valley and elevations. This large diagram has been heightened in color (green, blue, red, and brown).
[Japan]: ca. 1898-1912.
An album of 36 photographs of Bosnia & Herzegovina depicting the considerable natural wonders of the area along with views of cities (including the bridge at Mostar) & the residents in their native costumes. 18 stiff leaves, each with two pockets designed to insert photographs. Oblong 8vo, orig. cloth, upper cover with a mounted color photograph. N.p.: n.d. [but ca. 1909].
A photographic album assembled by or for Maria Theresia Henriette Dorothée of Austria-Este (1849-1919), the last queen of Bavaria.
Fine copy. With her ownership inscription dated 1909 on inner front cover. From the Wittelsbach library of the dukes and kings of Bavaria.
An elaborate album of photographs of drawings of the celebrated brewery at Klein-Schwechat, founded in 1632, and today one of the leading breweries of Austria, producing a lager, a light smooth premium beer called Hopfenperle, and a super-premium called Steffl. The album was prepared for the renowned Viennese brewer August Deiglmayer (1827-83), who was at that time, managing director of the brewery and one of the great innovators of 19th century brewing. Deiglmayer spent much of his professional career at the Klein-Schwechat brewery.
The drawings were executed at the request of Georg Wieninger (1832-87), scion of the Schärding family of...
Circular silver photographic print, 92 mm. in diameter, mounted on paper incorporating a printed title and descriptive letterpress dated August 1890 with the signatures of two of Herschel’s sons, mounted on card. Some small areas of abrasions to the paper surface. In the original frame, by Ryman & Co. of Oxford, made from the rungs of the ladder to the telescope. With a fragment of an original (?) printed descriptive notice on the back.
This is the earliest photograph of a scientific instrument and the first photograph deliberately taken to record an object prior to its disappearance (the earliest “record” photograph). It is...
29 mounted Woodburytype photographic plates (mostly 238 x 188 mm.), each with printed captions. viii, 92 pages. Large folio, orig. green half-morocco & green pebbled cloth (extremities a bit scuffed, occasional minor foxing), upper cover with a large gilt vignette & lettered in gilt, spine gilt. Leith: “Printed for Private Circulation by Reid & Son, Timber Bush, Leith, 1879.”
A large, beautiful, and little-known photography book, privately printed, with 29 splendid images of trees made by the photographer Andrew Young of Burntisland, and printed according to the Woodbury process of Lock & Whitfield of London. “The following pages are the result of numerous wanderings through the counties of...
Six albumen prints from wet collodion negatives (each 430 x 430 mm.), each mounted on stiff card stock panels (each panel measuring 620 x 430 mm.), joined together with the orig. linen, with the lithographed title at foot of the two middle panels. Preserved in the orig. green cloth-backed board portfolio, ties gone. [Essen: F. Krupp, ca. 1872-73].
A magnificent and rare photographic panorama of the Krupp Steel Works in Essen, consisting of six albumen prints, each mounted on paper board panels, measuring altogether 430 x 2480 mm. The industrial steel manufacturer Friedrich Krupp AG was the largest company in Europe at the beginning...
Five plates each with a mounted orig. salt print within gilt borders forming lancet windows. One leaf of printed text in German, French, and English. Folio, orig. publisher’s printed boards (extremities a bit worn), cloth spine. Cologne: F.C. Eisen, 1854.
First edition of this early photographically illustrated book depicting the new stained-glass windows, created by J. Fischer and Hellweger, and donated by King Ludwig I of Bavaria. In the mid-19th century there was a great effort to complete the Cathedral of Cologne, begun in 1248 and finally finished in 1880.
“From the mid-1850s the photographically illustrated books, with widely differing subject matter including paintings, engravings,…sculpture, architecture, and the decorative and minor arts, were being produced in modest but ever increasing numbers throughout Europe. This type of publication mirrored the art book illustrated with engravings or lithographs which was prevalent during this period. In some cases photographic publishers ambitiously aimed at a European market which was being developed through burgeoning tourism. One such publisher was Franz Carl Eisen of Cologne who from 1853, in collaboration with the photographer J. F. Michiels produced a series of trilingual (in German, French and English) photographically illustrated publications. Most of these were on works of art and architecture.“–A. J. Hamber, A Higher Branch of the Art. Photographing the Fine Arts in England 1839-1880, p. 155.
Oblong thick 8vo, orig. padded silk cloth binding. [Japan]: 1898.
A rare collection of 32 albumen photographs taken by Toshimo Mitsumura (1877-1955), the famous commercial photographer and printing entrepreneur; one of the greatest industrialists of the Meiji period, he is also highly esteemed today as a photographer. These photographs represent some of his earliest efforts. Mitsumura’s photographs have always been highly regarded and are held in the permanent collections of the Museum of Fine Arts, Boston, and the Victoria and Albert Museum in London.
A native of Kobe, Mitsumura purchased his first camera at the age of 14 and quickly became...