[Japan]: ca. 1898-1912.
Copper mining at Ashio in Tochigi Prefecture began about 1600 and production continued until 1973; in the late 19th century, it produced 39 percent of Japan’s copper output. At the end of that century, it was decided to build a railway connecting the mine to major rail lines to facilitate transportation of the outbound copper ore and inbound supplies (horses had carried or pulled everything before). The engineering problems were considerable: the line runs along the Watarase River through a deep valley subject to frequent flooding. The railway was finished in 1911-12.
The collection contains a series of letters containing reports on design and construction, printed documents regarding the stock company formed to finance the building of the railway (“Ashio Tetsudo Kabushikigaisha”), reports from engineers regarding preparations, further reports regarding expected capacity needs for the railroad line, six photographs of the construction, and a very fine and large (1820 x 760 mm.) manuscript diagram on four joined sheets of tissue paper showing the route through the valley and elevations. This large diagram has been heightened in color (green, blue, red, and brown).
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[Japan]: ca. 1898-1912.
An album of 36 photographs of Bosnia & Herzegovina depicting the considerable natural wonders of the area along with views of cities (including the bridge at Mostar) & the residents in their native costumes. 18 stiff leaves, each with two pockets designed to insert photographs. Oblong 8vo, orig. cloth, upper cover with a mounted color photograph. N.p.: n.d. [but ca. 1909].
A photographic album assembled by or for Maria Theresia Henriette Dorothée of Austria-Este (1849-1919), the last queen of Bavaria.
Fine copy. With her ownership inscription dated 1909 on inner front cover. From the Wittelsbach library of the dukes and kings of Bavaria.
An elaborate album of photographs of drawings of the celebrated brewery at Klein-Schwechat, founded in 1632, and today one of the leading breweries of Austria, producing a lager, a light smooth premium beer called Hopfenperle, and a super-premium called Steffl. The album was prepared for the renowned Viennese brewer August Deiglmayer (1827-83), who was at that time, managing director of the brewery and one of the great innovators of 19th century brewing. Deiglmayer spent much of his professional career at the Klein-Schwechat brewery.
The drawings were executed at the request of Georg Wieninger (1832-87), scion of the Schärding family of...
Five 8vo leaves (written on rectos only) accompanied by 14 photographs (of 15 cited by Isnard) of forgeries the artist had tracked down. On the reverse of these photographs, de Chirico has written unpublished extensive notes on the vendors of these alleged de Chiricos, where they had surfaced, and even the major museums displaying them. [Letter dated]: Rome: 4 June 1956; the photographs were sent separately at a later date.
A most interesting ensemble that reveals de Chirico’s obsession with monitoring the market for his paintings. The artist is notorious for reproducing his earlier metaphysical works; for example he executed 20 versions of his...
Color illus. throughout. 60 unnumbered pages. 8vo (210 x 150 mm.), white wrappers, stitched, title blind-stamped on cover. Brooklyn: Trying to Press, 2017.
A rare artist’s book, signed by Finch on the title-page in pencil; WorldCat locates only three institutional copies in North America.
From the artist: “Sunlight in a Room is a book documenting interesting natural sunlight and optical effects occurring in my Brooklyn studio throughout the day. The cover picks up on the idea as well, it was blind stamped and catches the light, which is necessary in order to be legible.”
26 (of 30?) albumen photographs (all ca. 215 x 160 mm.), mounted on boards within frames printed in red, all images with printed titles on the boards (410 x 320 mm.). Numbered 501 to 530 but lacking (?) nos. 506, 507, 511, & 525, signed: “Photographie des H. Gruson’schen Ateliers.“ Oblong folio, orig. green leather portfolio, panelled in gilt with leather wreath, with metal crest in center of upper cover. Buckau, near Magdeburg: n.d. [but 1872-76].
From the collection of Otto von Bismarck, the German statesman and unifier of Germany. This deluxe portfolio of original photographs was presented by the Grusonwerk, a leading member of Germany’s defense industry, to Bismarck and comes...
Circular silver photographic print, 92 mm. in diameter, mounted on paper incorporating a printed title and descriptive letterpress dated August 1890 with the signatures of two of Herschel’s sons, mounted on card. Some small areas of abrasions to the paper surface. In the original frame, by Ryman & Co. of Oxford, made from the rungs of the ladder to the telescope. With a fragment of an original (?) printed descriptive notice on the back.
This is the earliest photograph of a scientific instrument and the first photograph deliberately taken to record an object prior to its disappearance (the earliest “record” photograph). It is...
29 mounted Woodburytype photographic plates (mostly 238 x 188 mm.), each with printed captions. viii, 92 pages. Large folio, orig. green half-morocco & green pebbled cloth (extremities a bit scuffed, occasional minor foxing), upper cover with a large gilt vignette & lettered in gilt, spine gilt. Leith: “Printed for Private Circulation by Reid & Son, Timber Bush, Leith, 1879.”
A large, beautiful, and little-known photography book, privately printed, with 29 splendid images of trees made by the photographer Andrew Young of Burntisland, and printed according to the Woodbury process of Lock & Whitfield of London. “The following pages are the result of numerous wanderings through the counties of...
Portfolio of original photographs (mainly from 210 x 300 mm. to 240 x 330 mm.) depicting artillery, field guns, howitzers, cannons, ammunition wagons, etc., produced by Friedrich Krupp. 53 mounted photographs (some partly faded) on 51 stiff boards (640 x 480 mm.), all boards signed “Photogr. Atelier des Krupp’schen Etablissements.” Large oblong folio (645 x 500 mm.), orig. red cloth folder (a little rubbed & soiled) with title printed in gilt on cover, metal protectors at corners. [Essen]: dated 1869-76.
A very rare portfolio issued by the Krupp Steel Works with 53 original albumen photographs. A sort of trade catalogue showing the different cannons, other weapons, and military equipment manufactured...
Six albumen prints from wet collodion negatives (each 430 x 430 mm.), each mounted on stiff card stock panels (each panel measuring 620 x 430 mm.), joined together with the orig. linen, with the lithographed title at foot of the two middle panels. Preserved in the orig. green cloth-backed board portfolio, ties gone. [Essen: F. Krupp, ca. 1872-73].
A magnificent and rare photographic panorama of the Krupp Steel Works in Essen, consisting of six albumen prints, each mounted on paper board panels, measuring altogether 430 x 2480 mm. The industrial steel manufacturer Friedrich Krupp AG was the largest company in Europe at the beginning...
Five plates each with a mounted orig. salt print within gilt borders forming lancet windows. One leaf of printed text in German, French, and English. Folio, orig. publisher’s printed boards (extremities a bit worn), cloth spine. Cologne: F.C. Eisen, 1854.
First edition of this early photographically illustrated book depicting the new stained-glass windows, created by J. Fischer and Hellweger, and donated by King Ludwig I of Bavaria. In the mid-19th century there was a great effort to complete the Cathedral of Cologne, begun in 1248 and finally finished in 1880.
“From the mid-1850s the photographically illustrated books, with widely differing subject matter including paintings, engravings,…sculpture, architecture, and the decorative and minor arts, were being produced in modest but ever increasing numbers throughout Europe. This type of publication mirrored the art book illustrated with engravings or lithographs which was prevalent during this period. In some cases photographic publishers ambitiously aimed at a European market which was being developed through burgeoning tourism. One such publisher was Franz Carl Eisen of Cologne who from 1853, in collaboration with the photographer J. F. Michiels produced a series of trilingual (in German, French and English) photographically illustrated publications. Most of these were on works of art and architecture.“–A. J. Hamber, A Higher Branch of the Art. Photographing the Fine Arts in England 1839-1880, p. 155.
Oblong thick 8vo, orig. padded silk cloth binding. [Japan]: 1898.
A rare collection of 32 albumen photographs taken by Toshimo Mitsumura (1877-1955), the famous commercial photographer and printing entrepreneur; one of the greatest industrialists of the Meiji period, he is also highly esteemed today as a photographer. These photographs represent some of his earliest efforts. Mitsumura’s photographs have always been highly regarded and are held in the permanent collections of the Museum of Fine Arts, Boston, and the Victoria and Albert Museum in London.
A native of Kobe, Mitsumura purchased his first camera at the age of 14 and quickly became...
Complete set of 20 original albumen photographs (image sizes: 170 x 250 mm. & 230 x 190 mm.) by Charles David Winter mounted on card boards (440 x 350 mm.). Folio, orig. portfolio with large printed title pasted on upper cover (cloth spine a little worn, some rubbing to boards), orig. cloth ties. Strasbourg: Winter Fassoli, 1870.
A fine set of this extremely rare portfolio of 20 albumen photographs by the Strasbourg photographer Charles David Winter (1821-1904). These photographs reveal the devastation that took place during the siege of Strasbourg in August and September 1870 by Germany in the Franco-Prussian War. This siege was the first example of “total...
Cover illustration by Max Ernst & 12 photographic closeups of authors, printed on both sides of six sheets of coated paper, tipped-in. 15 pp. 8vo (220 x 130 mm.), orig. printed paper wrappers, staple-bound. Paris: J. Corti, .
A rare bookseller’s catalogue issued by one of the principal distributors of Surrealist works in Paris. The famous chart of authors prescribed and invalidated by the Surrealists “Lisez / Ne Lisez Pas” appears for the first time in print on the lower wrapper of this catalogue. The Librairie José Corti on the Rue de Clichy served as the occasional headquarters of the collective imprint Editions Surréalistes. Ernst’s steel-engraved...