3, 6, 67 folding leaves. Large 8vo, orig. yellow patterned wrappers (wrappers a little soiled), orig. block-printed title label on upper cover, new stitching. [Hansŏng: Mugyo sinp’an, 1869].

First edition of a rare anonymous manual for the general education of writers of classical Chinese from late Chosŏn Korea. The terms “bamboo slips” and “wooden tablets” originally referred to the material supports of writing in antiquity. In classical Chinese usage of later ages — and in this title — the phrases were used metonymically in reference to the implements and genres of classical Chinese writing. The Essentials of the Bamboo Slips... More

88, [4] pp. Small 4to, orig. blue cloth, uncut & unopened. Tokyo: Noda Shobo, 1936.

First separate edition, limited to 170 copies, originally published in 1918 in two newspapers. Akutagawa (1892-1927), is today most famous for having written the story “In the Grove” which was the basis for the classic film Rashomon by Kurosawa. The theme of the present story is concerned with artistic obsession. It was dramatized by Mishima in 1953 and made into a movie — Portrait of Hell — in 1969.

Fine copy in the original slipcase. This limited edition is printed on fine handmade paper with... More

1, 6, 11, 47 folding leaves. Large 8vo, orig. yellow patterned wrappers (wrappers a little soiled), orig. block-printed title label on upper cover, new stitching. [Korea: 1870s].

First edition of this rare anonymous manual for the general education of writers of classical Chinese from late Chosŏn Korea. The term “bamboo slips” originally referred to the material supports of writing in antiquity. In classical Chinese usage of later ages — and in this title — the phrase was used metonymically in reference to the implements and genres of classical Chinese writing.

This book covers the four “rites” of capping, marriage, funerals... More

Unpaginated. 8vo, illustrated wrappers, staple-bound. London: n.d.

Scarce bookseller catalogue issued by Andrew Sclanders, presenting a dizzying and impressive mix of genres and subjects. 753 items listed, including materials related to COUM Transmissions, Fluxus, Hell’s Angels, Charles Manson, Lenny Bruce, Andy Warhol, etc.

In fine condition. More

Single A4 sheet with brown paper seal for mailing, horizontal folds. Amsterdam: 1975.

A famous Beau Geste Press flyer repurposed as a mailed invitation for the group’s 1975 Other Books and So exhibition. Ulises Carrión forged a close relationship with Felipe Ehrenberg and Martha Hellion, co-founders of the Devon-based small artist-run press. In 1973, he published two artist’s books with Beau Geste Press: Arguments and Tras la Poesía. Carrión also learned first-hand about printing processes, in particular mimeography, which he employed frequently in later years. With the opening of Other Books and So in Amsterdam, Carrión soon became one of... More

101 pp. & colophon. 8vo, illustrated softcover. Montreal: Centre for Expanded Poetics & Anteism, 2021.

First edition, a delightful risograph-printed book edited by Amaranth Borsuk (b. 1981), poet and professor. It includes definitions by Erica Baum, Jen Bervin, Tia Blassingame, Sarah Bodman, Stephen Bury, Steve Clay, Latasha N. Nevada Diggs, Craig Dworkin, Bhanu Kapil, Janice Lee, Steve McCaffery, Scott McCarney, Bea Nettles, Elika Ortega, Lisa Pearson, Michalis Pichler, Tatiani G. Rapatzikou, Kyle Schlesinger, Tate Shaw, Michael Snow, Buzz Spector, Jan Voss, etc., etc.

As new. First printing of 350 copies. More

Many color illus. 183 pp. & colophon. 8vo, green rubber-stamped softcover. New York: Jonathan A. Hill, Bookseller Inc., 2022.

Our catalogue on the Mexican artist Ulises Carrión (1941-89). Offered 92 items for sale, followed by lists of the artist’s editioned bookworks, exhibitions at Other Books and So, and a bibliography.

As new, each example is rubber-stamped on the front and back covers. Designed by Flat Fix and printed by KOPA (Lithuania).

OCLC Accession No.: 1295641351. More

[in]: Revista de Bellas Artes, No. 8 (March-April 1966), pp. 41-56. Black & white illus. throughout. 102 pp. & ads. 4to, pink pictorial wrappers, title on spine. Mexico City: 1966.

Unrecorded by Guy Schraenen; a little-known Ulises Carrión (1941-89) contribution to one of Mexico’s literary journals. Foreshadowing his permanent move to Amsterdam, he contributed this short story about a visit to the city, with illustrations by Vicente Rojo (1932-2021). In the mid-1960s Carrión was studying in Paris or Achenmühle, Germany.

Near fine copy.

❧ Not in G. Schraenen, Dear reader. Don’t read. (2016). More

[14] pp., printed on rectos only. Small 4to (191 x 140 mm.), upper wrapper printed in red & black, saddle-sewn binding. Amsterdam: Kontexts Publications, February 1976.

One of 100 copies of this rare bookwork, inscribed by Carrión to Michael (1940-2022) and Judith Druks (n.d.). Based on a Carrión performance, this book, containing plagiarized text from six different plays, harkens back to the Mexican artist’s evolution from young star of Mexico’s literary scene and author of several lauded short story collections and plays to a visual artist in the Netherlands disowning his promising past. Our copy is remarkable because of Carrión’s... More

96 unnumbered pages. Thick 8vo (210 x 150 mm.), semi-stiff printed wrappers. Geneva: Editions Héros-Limite, 2005.

The scarce second edition of Ulises Carrión’s famous Arguments (1st ed.: 1973, published by the Beau Geste Press). In the Getty Research Institute exhibition catalogue Artists and Their Books, Books and Their Artists (2018), Zanna Gilbert writes (about the first edition): “Carrión humorously interrogates the structure and content of books and the literary devices used by authors and playwrights. The titular exchanges in Arguments are indicated only by the names of the participants, with no reference to the actual content of their disagreements. The... More

[25] leaves, written on rectos only. Small 4to (207 x 160 mm.), patterned softcover (extremities a little sunned), manuscript title on upper cover, exposed sewing. Amsterdam: 1973.

A most exciting discovery: the manuscript, in the hand of Ulises Carrión (1941-89), for an early bookwork. Amor, la palabra was one of no fewer than six books that he published in 1973, it is also among his rarest. As in the final printed version, this manuscript is dedicated to Carrión’s partner, Aart van Barneveld (1951-90), who co-founded Other Books and So, Stempelplaats, and Timed Based Arts: “para aart, / que estudia filología.”... More

12mo, magenta printed semi-stiff covers, stitched. Geneva: Boabooks, May 2016.

From the colophon: “(the drum) presents a linguistic exercise handwritten in black ink by Ulises Carrión in 1972.”

As new. WorldCat records only two holding institutions in North America. More