Catalogue 15.
Unpaginated. Small 4to, illustrated wrappers, staple-bound. Fen Ditton, UK: n.d.
Scarce bookseller’s catalogue with 358 items offered. Fine copy. More
Unpaginated. Small 4to, illustrated wrappers, staple-bound. Fen Ditton, UK: n.d.
Scarce bookseller’s catalogue with 358 items offered. Fine copy. More
52 pp. Small 8vo, pictorial dust-jacket, staple-bound. Cambridge: U.K.: n.d.
Scarce catalogue published by bookseller Louisa Riley-Smith. She founded her firm in 1985 and was the exclusive distributor of Art & Project Bulletins. 783 listings. Fine. More
Unpaginated. Small 4to, pictorial wrappers, staple-bound. Fen Ditton, UK: [1995].
A scarce bookseller’s catalogue, with a choice selection of artists’ books and publications, 268 nos. Among the highlights, we note a complete set of Art-Rite; Gilbert & George’s Dark Shadow (1974); most of the issues of Interfunktionen, Richard Long’s River Avon Book (1979); a nice run of Ruschas; a sizable group of Siegelaub catalogues, etc.
A fine copy.
❧ A. Desjardin, The Book on Books on Artists Books (2nd ed.: 2013) 503. More
Many black & white illus. 1 p.l., 40, [1] p. Small 8vo, pictorial dust-jacket, staple-bound. Cambridge, U.K.: n.d.
Scarce bookseller catalogue issued by Louisa Riley-Smith. She founded her firm in 1985 and was the exclusive distributor of Art & Project’s legendary Bulletins. This catalogue has 406 listings, including rare artists’ books and art monographs. Fine. More
Typographical device on title. Printed throughout in black letter. 11, [1] leaves. Small 4to, fine modern blue morocco, dentelles gilt, a.e.g. London: T. Purfoote, the assigne of R. Tottill, 1588.
Fourth edition of one of the earliest English books of "secrets," or manual of practical arts; this text appears to be entirely of English origins. It was first published in 1573 and reprinted in 1581 and 1583; there were also editions of 1596 and 1605. All editions are very scarce; of this printing the NSTC (24255) records five copies: L18, O; F, PN, NY Metropolitan Museum.
This is a very early... More
Edited by G.D. Hobson. 130 fine reproductions (12 in gold & color) & 46 facsimiles in the text. Title printed in red, black, & gold. Large thick 4to, orig. cloth (endpapers foxed as always), red morocco lettering piece on spine, t.e.g. London: Privately Printed at the Chiswick Press, 1940.
Limited to 180 numbered copies, signed by Major Abbey and G.D. Hobson. This sumptuously produced catalogue, the only authoritative survey of the history of bookbinding in the British Isles, is especially valuable on account of the wealth of fresh information given in the detailed descriptions of a magnificent series of specimens... More
One finely engraved head-piece. 4 p.l., LXXX pp. 8vo, attractive early 19th-century calf-backed marbled boards, flat spine gilt, orange & green morocco lettering pieces on spines. [Venice, ca. 1776].
[bound with]:
(PINELLI, Maffeo). Catalogo di Quadri raccolti dal fu Signor Maffeo Pinelli, ed ora posti in vendita in Venezia 1785. viii, 125 pp., one blank leaf. 8vo. [Venice: July 1785].
[bound with]:
(GRIMANI COLLECTION). [Drop-title on p. 3]: Pitture e Scolture nel Palazzo di Casa Grimani a S.ta Maria Formosa. Engraved frontis. Titles & text in double columns in Italian & French. 13 pp. 8vo. [Venice: ca. 1790].
A fascinating... More
53 fine plates on 30 sheets. 2 p.l., xxxix, 99, [4] pp. 4to, cont. Spanish green morocco, cover with gilt fillets round sides, flat spine gilt, red morocco lettering piece on spine, characteristic Spanish marbled endpapers, a.e.g. [Madrid: en la Imprenta Real de la Gazeta, 1781].
First edition — and a superb copy in contemporary Spanish green morocco — of one of the most beautiful and influential of the Spanish writing books; this work and that of Palomares, published in 1776, made Spain an 18th-century center for calligraphy and fine handwriting.
The calligraphic world of later eighteenth-century Spain was formed... More
1, 6, 11, 47 folding leaves. Large 8vo, orig. yellow patterned wrappers (wrappers a little soiled), orig. block-printed title label on upper cover, new stitching. [Korea: 1870s].
First edition of this rare anonymous manual for the general education of writers of classical Chinese from late Chosŏn Korea. The term “bamboo slips” originally referred to the material supports of writing in antiquity. In classical Chinese usage of later ages — and in this title — the phrase was used metonymically in reference to the implements and genres of classical Chinese writing.
This book covers the four “rites” of capping, marriage, funerals... More
Frontis. containing a scene of a library (outer margin carefully strengthened on verso). L (incl. the frontis.), [10], 336, 387-733 pp. 12mo, cont. vellum over boards. Bologna: Manolessi, 1673.
First edition of the very rare catalogue of the books donated by Aprosio to the library which was to bear his name. "Angelo Aprosio of Ventimiglia was in correspondence with most of the learned men of his day, and they sent him many books to read. Aprosio's catalogue of 1673 is a small duodecimo list of these gifts in alphabetical order of the donors' names. The purpose of such a fantastic method... More
A few black & white illus. Unpaginated. Tall 8vo, pictorial wrappers, staple-bound. Paris: [1995].
Scarce bookseller’s catalogue issued by Jean-Dominique Carré, this one is devoted to the books and exhibition catalogues of Annette Messager (b. 1943). 62 items are offered, including unique works and books that were printed in very small editions. An essential reference work for publications by or about Messager.
Near fine; faint creasing to the wrappers. WorldCat records two copies. More
64 pp. Large 4to (275 x 215 mm.), orig. pictorial wrappers, staple-bound. Toronto: 1997.
A rare Art Metropole catalogue, with the upper wrapper illustrated by Garry Kennedy. Presents an impressive range of artists’ books, multiples, audio recordings, videotapes, and exhibition catalogues.
In excellent condition. The previous owner has marked several listings with yellow highlighter.
❧ See “Art Metropole’s Publications and Events History with Related Ephemera, January 1971 – April 2006,“ on the National Gallery of Canada website. More
Pictorial wrappers designed by Daniel Buren & several black & white illus. Unpaginated. Large 4to (268 x 198 mm.), pictorial wrappers (a little browned), staple-bound. [Toronto: 1983].
A rare catalogue published by Art Metropole, with the design of the wrappers done by Daniel Buren.
Nice copy, a bit browned.
❧ See “Art Metropole’s Publications and Events History with Related Ephemera, January 1971 – April 2006,“ on the National Gallery of Canada website. More
Pictorial wrappers designed by Buren & several black & white illus. Unpaginated. Large 4to (268 x 198 mm.), pictorial wrappers (spine sunned), staple-bound. [Toronto: 1983].
A rare catalogue published by Art Metropole, with wrappers designed by Daniel Buren. Art Metropole, founded in 1974 by General Idea, was the first large-scale distributor of artists’ books and publications in North America.
Very good copy, a trifle browned. Unrecorded on WorldCat. The previous owner has annotated a number of the entries in pen and red marker.
❧ See “Art Metropole’s Publications and Events History with Related Ephemera, January 1971 – April 2006,“ on... More
Cover artwork by Stephen Ellwood. 71 pp. Large 4to (270 x 212 mm.), pictorial wrappers, staple-bound. Toronto: 1998.
[with]:
—. Catalogue No. 20 (Wholesale). Cover artwork by S. Ellwood. 11 pp. Large 4to (265 x 211 mm.), orig. pictorial wrappers, staple-bound. Toronto: 1998.
Two scarce catalogues of artists’ books, multiples, audio works, video works, and periodicals. The second is a wholesale catalogue, with items offered at a 35% discount.
Both in fine condition.
❧ See “Art Metropole’s Publications and Events History with Related Ephemera, January 1971 – April 2006,“ on the National Gallery of Canada website. More
Many black & white text illus. [64] pp. Small 8vo (210 x 135 mm.), orig. pictorial wrappers (spine worn), staple-bound. Toronto: 1976.
Art Metropole’s very scarce third catalogue of books, periodicals, films, and videotapes. Two years before Printed Matter was established in New York, Art Metropole became the first large-scale distributor of artists’ publications in North America. The collective General Idea (AA Bronson, Felix Partz & Jorge Zontal), which had been working with printed matter since the creation of FILE in 1972, founded this artist-run space in 1974.
Expanding greatly on Art Metropole’s previous catalogues, which primarily featured North... More
68 pp. Large 4to (274 x 214 mm.), orig. pictorial wrappers, staple-bound. Toronto: 1992.
A scarce bookseller’s catalogue of artists’ books and publications. Founded in 1974 by General Idea, Art Metropole was the first large-scale North American distributor for this kind of material. The cover was designed by Lise Melhorn-Boe. This catalogue offers the usual array of artists’ publications, many of which are now very scarce.
In near fine condition; small tear on the spine around the lower staple.
❧ See “Art Metropole’s Publications and Events History with Related Ephemera, January 1971 – April 2006,“ on the National Gallery of... More
Black & white illus. (some full-page). 47 pp. Large 4to (277 x 205 mm.), pictorial wrappers, staple-bound. [Toronto: 1977].
[with]:
—. [From upper wrapper]: Supplement to Catalogue No. 5, Editions by Artists. [10] pp. (incl. inside wrappers). 4to, pictorial wrappers, staple-bound. Toronto: 1978.
Two rare and early catalogues issued by Art Metropole, the first large-scale distributor of artists’ books and publications in North America; offered with the subsequent Supplement distributed in the summer and featuring artists’ editions. The first catalogue offers dozens of works by European artists such as Abramovic, Beuys, Boltanski, Broodthaers, Buren, Darboven, Dibbets, Ehrenberg, Filliou, Fulton, Graham, Rebecca... More
46 pp. Large 4to (270 x 210 mm.), orig. printed wrappers, staple-bound. [Toronto: 1979].
A very rare and early catalogue published by Art Metropole; unrecorded on WorldCat. On the inside of the upper wrapper, Art Metropole’s archivist Tim Guest lays out a definition of the artist’s book: “Since the early 1960‘ [sic] artists have been producing bookworks as a completely autonomous artform. Different in that they exist outside the traditions of either the ‘literary text’ or the ‘illustrated book’, they are instead books as works of art in themselves. They belong to that movement in art history which seeks to... More
Unpaginated. 59 pp. & ads. Large 4to, orig. printed wrappers designed by Holzer, staple-bound. Toronto: 1989.
[bound with]:
—. [From first sheet]: Catalogue Update, December 1989. Eight stapled sheets, printed on both sides. Toronto: 1989.
All three parts constituting Art Metropole’s thirteenth mail-order catalogue, including the “Catalogue Update” and a laid-in sheet of new publications not found in either of the previous. The first catalogue was designed by the artist Jenny Holzer. In this publication, “Artists’ bookworks” are denoted, this time with a triangle. The catalogues presents an impressive and vast range of materials, including video and audio works.
Fine copy... More
Black & white frontis. Unpaginated. Large 4to, orig. printed wrappers, staple-bound. Toronto: 1986.
A scarce bookseller’s catalogue of artists’ books and publications. Founded in 1974 by General Idea, Art Metropole was the first large-scale North American distributor of this kind of material. The present catalogue, printed in an edition of 2500 copies, was designed as a work by the artist Ian Murray (b. 1951), and contains hundreds of entries. The compilers have denoted “bookworks” — their preferred term for artists’ books — with a black square next to the listings. This catalogue presents an impressive and vast array of materials... More
Many illus. 77 pp. & ads. 4to, orig. pictorial wrappers, upper wrapper by C. Andre, staple-bound. New York: 1977.
A celebrated issue of the intrepid New York newsprint art magazine, which ran from 1973 to 1978. This issue was devoted to the subject of “artists’ books” and introduced many to the then embryonic concept. It opens with an “Idea Poll” that solicited responses to the relevance and potential of artists’ books. Responses from Acker, Baldessari, Carrion, Buren, Denes, Hoffberg, Huebler, Kaprow, Kostelanetz, LeWitt, Lippard, Nannucci, Piper, Schneemann, Steir, Tuttle, Weiner, are recorded. They project a mix of optimism and fatalism... More
Color illus. 71 pp. Tall 8vo, red printed softcover with flaps, title on spine. Morlanwelz, Belgium: Musée Royal de Mariemont, 2008.
Rare exhibition catalogue on artists’ books. The show was curated by Veronica Alarcon Ibanez and Pierre-Jean Foulon. Books by Broodthaers, Christian Dotrement, Jacques Louis Nyst, Jacques Lennep, Pierre Cordier, Anne Goy, Filliou, etc. were selected. Text in French and Spanish.
In excellent condition. We find just two copies in North America.
❧ A. Desjardin, The Book on Books on Artists Books (2nd ed.: 2013) 122. More
Illus. throughout and first & last leaves stamped. Unpaginated. 8vo, printed wrappers, staple-bound. Williamstown, MA: Sterling and Francine Clark Art Institute Library, May 1984.
An uncommon exhibition catalogue, conceived and designed by Craig Dennis, and the books were selected by Kira Obolensky. “Paginations demonstrates the wide diversity of theme and format one finds in bookworks. In addition, the selections represent existing categories for contemporary bookworks (e.g. concrete poetry, political and feminist expression, the flip book, the found object book…). All these works challenge the monetary preciousness usually associated with art objects. Produced in large numbers, they are relatively inexpensive to... More