leaves. Square 4to, semi-stiff printed wrappers, metal spiral-bound. Atlanta: 1994.
A wonderfully designed catalogue for the exhibition held at the Atlanta College of Art Gallery from 28 January to 4 March. The exhibition was engineered by Judith Hoffberg and Peter Frank, two keen observers of the artist’s book’s evolution in the United States. The exhibition consisted of loans from the collections of Printed Matter, Tony Zwicker, Granary Books, Nexus Press, Dick Higgins, etc. Most of this volume is taken up by the curators’ essay, which is inventively laid-out. With a bibliography and checklist at the end. The artists featured included Alatalo...
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 leaves. Square 4to, semi-stiff printed wrappers, metal spiral-bound. Atlanta: 1994.
Ca. 150 catalogue cards bolted. Washington, D.C. & New York: Independent Curators Incorporated, 1978-80.
An uncommon exhibition catalogue, important in the early popularization of artists’ books. Curated by Wilson and Frank, the exhibition included more than a hundred examples of book art, representing a wide variety of publishing methods. It also broadened the distribution of these publications, which were normally spread informally, to art spaces across North America. The show was hosted at six locations: Allen Memorial Art Museum; the University of Hartford; Dalhousie University Art Gallery; the University of California, Irvine; the Cleveland Center for Contemporary Art; and the Washington...