8 pp. 8vo (219 x 137 mm.), modern cream cloth-backed marbled boards, title on spine. Paris: Félix & Regnault-Delalande, 1818.
A scarce sale catalogue of drawings and prints issued by Regnault-Delalande (1762-1824). Lugt only identifies the possible sellers as “Boullanger ou Perrier.” It consists of 63 lots, including work by Bervic, Desnoyers, Le Gouaz, Morghen, Porporati, Vernet, Vincent Woollett, etc.
In near fine condition; we locate no copy in North America. With the amusing engraved bookplate of [H]enry [Pannier] (1853-1935), the Parisian dealer of luxury objects and collector of early art auction catalogues, on the front paste-down, and the stamp of the Bibliothèque Heim on...
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8 pp. 8vo (219 x 137 mm.), modern cream cloth-backed marbled boards, title on spine. Paris: Félix & Regnault-Delalande, 1818.
2 p.l., 280 pp. 8vo, cont. green sheep-backed marbled boards, spine lettered in gilt. Paris: A. Labitte, 1873.
The first and most important private collection ever formed exclusively devoted to festivities; this sale catalogue has remained an indispensable work of reference to the present day. The 1200 lots are arranged under the sixteen different countries in which these festivities took place, except for two amazing special sections: the first catalogues thirty-eight books published between 1515 and 1559, describing festivities and solemnities in honor of Emperor Charles V. The second describes almost 400 pieces concerning festivities held during the French Revolution, offered in...
35 pp. Small 8vo, self-bound & stitched. Paris: Defer; Leipzig, 1844.
A rare Defer catalogue. With 363 lots of prints belonging to the art historian Robert Dumesnil (1778-1864; see L.2199). This is the 11th sale under his name, according to Lugt. The supplement starting with lot 181 was likely from a different consigner. Pencil notes on verso of final leaf.
xiv, 336 pp., 19 pp. of printed price list. 8vo, later red half-pebbled cloth and marbled boards (upper cover slightly rubbed), spine lettered in gilt. Paris: Regnault & Silvestre, 1805.
The important sale catalogue of an art critic and early chronicler of the Salons. Saint-Yves (1717-1804), was a member of a well-known family of oculists. He became a prodigious and eclectic collector, having inherited a large fortune from his father, Etienne. The younger Saint-Yves was a considerable buyer at the Mariette, Boucher, Jullienne, Huquier, Neyman, Conti, and van Loo sales and owned complete collections of works by Dürer, Sadeler, Lucas de Leyde, S. Beham...
80 pp. 8vo (216 x 135 mm.), early 20th-cent. cloth-backed marbled boards & orig. printed wrappers mounted on stubs, gilt title on spine. Paris: Bonnefons Delavialle, Ch. Paillet; London: Treuttel & Wurtz, Jarman; Amsterdam: Dufour & De la Chaux; Brussels: Danot; Berlin: Logier & Simon Schropp; Vienna: Schabacher, .
A fascinating and rare auction catalogue of an extensive and influential collection of Asian artifacts belonging to a “F. Sallé,” with many contemporary pencil annotations in the margins. We have been unable to ascertain his first name, but Sallé appears in numerous early 19th-century Parisian auction catalogues as the commissaire-priseur.
This was the greatest collection of Chinese materials after that of the renowned sinophile Henri Léonard Jean Baptiste Bertin (1720-92), powerful ministre d’Etat under Louis XV and XVI. Most of Bertin’s collection was dispersed in 1792 without a catalogue; in 1815, a catalogued auction (Lugt 8637) was held to sell off the final portion of the collection.
3 p.l., 371 pp. 8vo, 19th-cent. calf-backed marbled boards (minor foxing & spotting), entirely uncut. Liège: S. Dauvrain, 1785.
An important first in catalogues: this is the first auction catalogue to provide collations; it is very rare. The catalogue was compiled by Jean Noël Paquot (1722-1803), scholar, professor of Hebrew, and librarian at the University of Louvain and later to the duc d’Arenberg. Paquot provides uncommonly long (and accurate) title transcriptions, authors’ names for anonymous works, critical annotations, and full pagination collations with lists of contents.
Saroléa, the wealthy canon of the Liège cathedral, was close to many members of the Enlightenment. He formed a library rich in botany, French literature, geography, and history.
15 pp. 8vo, late 19th-century red cloth, title on spine. Paris: Folliot & Delalande, 1785.
A rare sale catalogue, of which we find no copy in North America. It describes a choice collection of 15 lots, with paintings by Poussin, Albani, Bril, Teniers, N. Berghem, etc. The experts write that normally with such a small collection they would not have issued a catalogue, but with the quality of these paintings, they thought it prudent to publish one. The Comte de Sauveterre was a high-level representative of the French king in Germany; however, we do not know his first name.
Fine copy of a rarity in a red cloth binding similar to those favored by the Goncourt brothers. Engraved bookplate of the Parisian art dealer Georges Pannier (1853-1944), and stamp of the Bibliothèque Heim in the usual location.
427,  pp. 8vo, cont. pink sheep-backed marbled boards (corners a bit worn), spine lettered in gilt. Antwerp: J. Grangé, .
Van Schorel, seigneur de Wilryck (1716-73), served as mayor of Antwerp. He was actively involved in the artistic life of the city and in the early 1740s played an important role in the reorganization and financial support of the city’s Academie voor Schoone Kunsten. Van Schorel formed one of the largest gatherings of Rubens’s oil sketches in the southern Netherlands in the eighteenth century. His splendid art collection featured twenty-eight paintings by Rubens. 202 lots of paintings, 88 lots of gouache paintings...
1 p.l., xvi, 565 pp. 8vo, cont. mottled sheep, spine gilt, orange morocco lettering piece on spine. Paris: Barrois, 1755.
An uncommonly handsome copy of this catalogue which described a truly imposing collection on the history of France, very carefully arranged and catalogued by the owner himself. The collection was especially rich in ephemeral literature and contained no less than 400 portfolios of broadsides; La Vallière bought heavily at this sale. This exemplary catalogue was printed by Didot.
8227 lots, including MSS. Priced throughout in a contemporary hand.
1 p.l., 38 pp. Small 8vo, orig. blue printed wrappers (wrappers a little defective), new stitching. Paris: Bonnefons de la Vialle & Defer, 1845.
297 lots of prints, drawings, and books. From the estate of Tiepolo (1727-1804), Venetian painter and etcher, and son of the famous Giovanni Battista Tiepolo (1696-1770).
Very good copy; wrappers chipped. Duplicate stamp of the Bibliothèque Royale, Bruxelles, on upper wrapper.
viii, 175 pp. 8vo, attractive antique calf-backed paste-paper boards, spine gilt, red morocco lettering-piece on spine. Paris: Bénard, 1806.
The uncommon sale catalogue of an exceptional print collection formed in Belgium. Wolfgang Guillaume, the third duc d’Ursel (?1730-1804), a Belgian general and husband of Flore d’Arenberg, focused his collecting on prints of paintings engraved by the painters themselves. The catalogue is arranged by school and within that by painter. We find engravings by Albani, Carracci, Maratti, Titian, Dürer, Hollar, Berghem, van Leyden, Rembrandt, Callot, Coypel, etc.
The catalogue thoroughly describes 948 lots of prints and drawings, many of which are large group lots, with the more considerable collections divided into numerous subsections for greater clarity. Lots 907-948 detail the duke’s books of prints and views, auction catalogues, dictionaries, and other important art historical texts.
22 pp., 1 leaf of “Approbation.” Small 8vo (160 x 95 mm.), 19th-century calf-backed marbled boards (joints a little rubbed), red morocco lettering-piece on spine. Paris: Prault & Barrois, 1748.
A rare sale catalogue of the Egyptian, Greek, Roman, and Gallic antiquities amassed by Valois (1671-1747), an early connoisseur of ancient objects, who was named antiquaire du roi. This was one of Gersaint’s final sales.
“Valois was the son and nephew of great 17th-century scholars, Adrien and Henri de Valois; antiquary of the king and pensionnaire de l’Académie des inscriptions, he accumulated sculptures, ancient bronze and more than 6000 medals, many from the age of...
2 p.l., 72 pp. Small 8vo, cont. red sheep-backed marbled boards (extremities slightly rubbed), spine gilt, green morocco lettering piece on spine. Amsterdam: P. Yver, .
(—). Catalogue d’un precieux Cabinet de Desseins, Coloriés & Non-Coloriés des plus célebres Maîtres Hollandois & Flamands, &c. De même, que d’une tres belle Collection d’Estampes, de Choix. Parmi lesquelles il y a quelques Petits Oeuvres & des Ouvrages d’Estampes Reliées & non-Reliées presque Toutes Premieres Epreuves & des mieux conservées…La Vente s’en fera le Lundi 16 de Janvier 1775 & les Jours suivants…Par les Courtiers… 2 p.l., 235, , 78 pp. 8vo. Amsterdam...
12, 250 pp. 8vo, attractive antique half-calf & speckled boards, spine gilt, red morocco lettering piece on spine, a.e.g. Anvers: J. Grangé, [1773?].
An earlier owner attributes the ownership of this catalogue to Pierre François Gisbert de Schorel, seigneur de Wilryck (1716-73 or 1778) and mayor of Anvers, whose collection of paintings was sold the following year in Anvers by Grangé. Van Schorel was actively involved in the artistic life of Antwerp and in the early 1740s played an important role in the reorganization and financial support of the city’s Academie voor Schoone Kunsten. He formed one of the largest gatherings of...
Finely engraved frontis. port. of the collector (with an earlier state bound-in, see below) & engraved arms on title. 2 p.l., iv, 151 pp.; 2 p.l., xliv pp. Two parts in one vol. 8vo, 19th-cent. red morocco-backed marbled boards, spine gilt, outer & lower edges uncut. Paris: Prault fils aîné, 1760.
A marvelous association copy of this important catalogue of the notable book and art collections formed by the Comte de Vence (1703-60), one of the richest collections of the period. “Ce bibliophile distingué s’était composé de livres, mais encore un riche cabinet d’objets d’art et d’antiquités, tels que tableux, estampes, dessins, bronzes...
20 pp. 8vo, 19th-century brown half-cloth & marbled boards (spine a trifle rubbed), title on spine, spine gilt. [S.l.: 1737].
One of the very rare contemporary manuscript sale catalogues of the painting collection of the comtesse de Verrue (1670-1736), one of history’s greatest collectors of art as well as books. It is annotated with nearly all prices and a few buyers’ names. According to Lugt, there are no known printed catalogues of this sale of paintings — most likely never printed — and the Getty Provenance Index records 14 extant manuscript copies, all in institutional libraries, except this example.
“Verrue, may be best known today as Alexandre Dumas’s fictive dame volupté, a sobriquet she reputedly created and one that has too easily obscured her crucial role in the art world of early eighteenth-century Paris. She had the social confidence to renounce the traditional pattern of collecting that Crozat had eagerly embraced and turned from ‘serious’ Italian paintings to ‘petits sujets,’ bucolic landscapes, and amorous mythologies, primarily by painters of the Northern and French schools. Like Crozat, she shaped a remarkable and widely admired dwelling that was central to her identity and famous during her lifetime. The importance of each house was enhanced by the way it functioned. Each became a key site of artistic discourse, a place where art lovers and artists assembled, and a locus for assessing competing systems of value, where distinctive outlooks were forged, defined, and absorbed.”–Rochelle Ziskin, Sheltering Art (2012), p. 2.
xii, 483 pp. 8vo, cont. blue pebbled cloth (minor foxing), red & green lettering pieces on spine. Paris: J. Techener, 1854.
—. Catalogue de la Riche Collection d’Estampes et de Dessins composant le Cabinet de feu M. F. van den Zande…rédigé par F. Guichardot. xii, 355 pp. 8vo. Paris: F. Guichardot, 1855.
2 p.l., iv, 360 pp. 8vo, orig. blue wrappers (upper wrapper detached), uncut. Paris: J.S. Merlin, 1827.
A fine thick paper copy of the very rare sale catalogue of the library of Châteaugiron (1774-1848), a founder-member of the Société des Bibliophiles françois. After a short military career he entered the French diplomatic service. His library was considered to be one of the most beautiful in Paris on account of the choice of copies and the elegance and richness of the bindings. According to the Preface many were bound by the two Bozérians, Simier, and the two Thouvenins. Châteaugiron owned some fine...
38 pp. 8vo (205 x 132 mm.), cont. pink upper wrapper bound in late 19th-cent. maroon sheep-backed paste-paper boards, spine gilt. Paris: Bonnefons de la Vialle & Henry, 1817.
A very rare sale catalogue of paintings owned by Marie Antoine Didot (d. 1835), better known as Didot de Saint-Marc. A member of the printing and publishing dynasty, he benefitted from the family’s wealth, and was more concerned with collecting pictures. Nearly all prices have been recorded in pencil by a contemporary annotator in the margins, as well as on the upper wrapper which is covered in notes and several names, such as Senave, Mallet, and...
1 p.l., iv, 24 pp. 8vo (191 x 123 mm.), modern aubergine cloth, title on upper cover. Paris: Le Normant & Regnault-Delalande, 1816.
A scarce sale catalogue offering a woman’s fine collection of paintings and other curiosities; this copy is partially priced in a contemporary hand. Several institutional copies have been inscribed with the surname “Forestier.” The Getty Provenance Index attributes this sale to de Forestier, born Godin, who was the wife of Augustin de Forestier (1729-1817), the trésorier général of the Swiss Guards. She assembled a choice group of pictures, and, as described in the Getty Provenance Index entry for this catalogue, the leading...
Par Guillaume-Franç. De Bure, le jeune. 3 p.l., lv, , 241 pp. 8vo, cont. mottled calf (head of spine a little worn), triple gilt fillet round sides, spine gilt, red morocco lettering piece on spine. Paris: G.F. De Bure, 1757.
One of the choicest and most celebrated collections formed in France during the 18th century, this copy has been priced throughout in a contemporary hand. Girardot, a timber merchant, on his retirement from business, became depressed. As Bogeng relates, his doctor, Hyacinthe Baron, himself an important collector, advised him to cure his melancholia by forming a library. The result is recorded in...
36 pp. Small 8vo, attractive antique calf-backed paste paper boards, spine gilt, red morocco lettering piece on spine. Paris: Musier, 1774.
The uncommon sale catalogue of a distinguished collection belonging to Antoine Antonin, duc de Gramont (1722-1801), who inherited the title in 1745. 106 lots thoroughly described, including works by Albani, Guerchin, Wouwermans, Jordaens, Watteau, etc.
Nice copy, despite inoffensive marginal worming to first five leaves.
iv, 159 pp. 8vo (200 x 135 mm.), antique calf-backed paste-paper boards, red morocco lettering-piece on spine, spine gilt. Paris: Chariot, Boileau & Joullain, 1773.
A scarce sale catalogue, priced throughout in a contemporary hand and with running totals, featuring a large number of drawings formerly in the Crozat collection. Lempereur (1701-79), a well-known jeweler and local politician, cultivated a close relationship with Mariette, and at Mariette’s sale, Lempereur advised the king on drawings worthy of the royal collection. Gersaint counted Lempereur among his most important clients. Lempereur’s son, Jean Baptiste Denis (1726-96), continued in his footsteps as a passionate collector and patron of the...
32 pp. 8vo (195 x 129 mm.), late 19th-century marbled boards (spine a bit rubbed), red morocco lettering-piece on spine. Paris: Bonnefons & Henry, 1818.
A very scarce sale catalogue, mostly priced; we locate no copy in North America. A later 19th-century pencil inscription in the present copy, as well as in two other inscribed catalogues, suggests that the contents of this auction belonged to the art collector Hippolyte de Livry (1765-1834) — not to be confused with the author of the same name. Our Hippolyte had previously dispersed a portion of his collection through the expert and art critic Charles Landon in 1814 (one...